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A View of the Cities of London and Westminster with the Suburbs and Circumjacent Country

SWERTNER, Johannes

  • Publisher: Published as the Act directs by John Swertner No. 10 Nevils Court Fetter Lane,
  • Published: 1789. , London,
London,: Published as the Act directs by John Swertner No. 10 Nevils Court Fetter Lane,, 1789.. Image: 250 by 730mm (9.75 by 28.75 inches). Sheet: 490 by 800mm (19.25 by 31.5 inches).. Etching with aquatint, printed in blue. Title, artist-engraver, and imprint in margin beneath the image. Accompanied by a key-block with 140 references. The key-block carries the imprint: 'Published as the Act directs by I. Swertner Augt. 1st 1789.' Jan Swertner, born in Harlem in the Netherlands in 1746, was a Moravian minister. In the handbill described below he refers to himself as 'one not professionally an artist'. The prospect, nevertheless, is highly professional and, in the selection of viewpoint, novel. Rejecting the picturesque composition beloved of contemporary British artists, in which "the Cities themselves, by being so far removed from the back Ground become Objects of secondary Notice", he chose "after much Trial and Search" the lantern of St Mary Islington from which to make his drawings. From here the townscape was free of picturesque foreground detail; and in place of tree stumps and gesturing staffage Swertner provides us with a view of a North London suburb at a time of change and development. The foreground detail is not described in the key. Across the immediate foreground is Church Street (now Gaskin Street). In the centre tilers are depicted completing the roof of the chapel for the dissenting Islington blacksmith, John Ives. Later the building would be used by Lady Huntington's Connexion, and later still as a school. Church Street links Upper Street on the right to Lower Street (now Essex Street) on the left. Branching off Lower Street is Colebrook Row. Nearby are Bird's Buildings, where at a later date the prolific London topographical artist, Thomas Hosmer Shepherd, would live. Mid-centre is Islington Green and the backs of the buildings of Old Paradise Row. Camden Street can be identified to the east of it. The Old Pied Bull, said to have been the home of Sir Walter Raleigh, is on the right in Upper Street. A handbill issued by Swertner announcing the prospect's publication (copy in the John Johnson Collection, Bodleian Library) informs potential purchasers that it could be obtained from "the Publisher, No. 10 Nevils Court, Fetter Lane; Mr. Nichol, No. 58 Pall-Mall; Mr. Faden, No. 487 Strand; Mr. Stockwell, 191 Piccadilly; Mr. Wilkinson, No. 58 Cornhill; Mr. Cary's, the Corner of Arundel Street, Strand; Mr. Harris, No. 3 Sweetings-Alley; And other Printsellers.' Prices quoted are '10s.6d. - Proof Impressions, 16s. - Coloured, £1.1s. - Highly finished, in Colors, from the original Draught, by the Publisher, £1.11s.6d." The handbill recommends purchasers either to frame the view and key-block as one, or to mount the key on a panel attached to sliders at the back of the frame, that could be slid out or pushed back in again at pleasure. The print was reproduced as London Topographical Society Publication No. 124, printed by Curwen Press, and issued as an extra publication to members in the Society's centenary year, 1980. BL Maps K.Top.21.56; BM 1880,1113.4963.

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Daniel Crouch Rare Books is specialist dealer in antique atlases, maps, plans, sea charts and voyages dating from the fifteenth to the nineteenth centuries. Our carefully selected stock also includes a number of fine prints and globes, and a selection of cartographic reference books.Our particular passions include rare atlases, wall maps, and separately published maps and charts. We strive to acquire unusual and quirky maps that are in fine condition. We are members of the following trade associations: The Antiquarian Bookseller's Association (ABA); The British Antique Dealers' Association (BADA); Confédération Internationale des Négociantes en Oeuvres d'Art (CINOA); The International League of Antiquarian Booksellers (ILAB); The Society of London Art Dealers (SLAD); and The European Fine Art Foundation (TEFAF). Daniel and Nick are also both members of The Company of Art Scholars, Dealers, and Collectors.

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