The Castle

First UK edition, first impression. London: Martin Secker, 1930. Octavo. Finely bound by Stephen Conway in full tan Nigerian goatskin. The spine is lettered in black, and the front board bears large black display capitals echoing the striking typography of the scarce original dust jacket. Sewn headbands; all edges gilt; black endpapers, with the binder's ticket on the rear pastedown. In a custom oatmeal cloth slipcase with a cushioned foot. A fine binding, the text with a few very mild, isolated spots to the opening and closing couple of leaves; no stamps or inscriptions. Kafka's last novel follows the land surveyor K. in his unavailing attempts to gain access to the elusive authorities of the castle that governs the village where he has arrived. By turns unsettling, darkly comic and elusive, it transforms the frustrations of bureaucracy into a haunting exploration of alienation, authority and the longing to belong. Kafka worked on the novel in 1922 and left it unfinished at his death two years later. It was published posthumously in 1926, edited by his friend and literary executor Max Brod, despite Kafka's instructions that his unpublished manuscripts be destroyed. The Muirs' translation was issued in London by Secker and in New York by Knopf. It was the first of Kafka's books to appear in English, preceding The Trial by seven years. In his introductory note Edwin Muir observed that Kafka's name was "almost unknown to English readers", and the Muir versions remained the standard English texts for decades. The restrained binding pays elegant tribute to the original design, its expressive black lettering set against the warm, finely textured goatskin.